After receiving my Master’s degree in Illustration with my
focus on children’s book illustration I relaxed. I thought I had arrived and now I didn’t
really have to follow all the arduous, time-consuming, boring steps to creating
illustrations that my instructors pounded into my head. I immediately went to work on the children’s
book I wanted to finish for publication.
Each double page required a new character and After only a month I got bogged
down and lost momentum. I thought that
maybe it was just the long months preparing my thesis and finishing my
schooling that oppressed me and all I needed was a break. Two months later I was still dragging along
wondering what my problem was. I jumped
right into making myself work on thumbnail sketches for each page but they were
lacking in innovation, imagination and cuteness. Over and over I changed things but still I
wasn’t making any headway.
situation so it was a slow
process.
Not long later, I was approached by my nephew who wanted a
few illustrations for a YA fantasy novel he was writing. He wanted to spend time talking about
backgrounds and time frame. My training
kicked in and I made him describe his main characters so I could create a
character sheet with facial expressions and body poses for each one before even
trying to place them into an environment.
After working on I had been skipping the step of creating
character sketches for them. I had
thought I didn’t really need this step because I knew what I wanted but
obviously I was wrong. You may know
mentally what you want but till you put it to paper and play with poses and
facial expressions, you cannot really get the full visual sense of how you want
it to lay out.
three of these and making the appropriate changes, I
suddenly realized what my problem was with my own pages.
Lesson learned: don’t
skip steps even if you think you don’t really need them. All the steps are vital to the process or
they wouldn’t bother teaching them in art school.
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