After the exercise of 100 days of drawing hands, one each
day, and then 100 days of drawing feet, one each day, I decided the next
weakness in my education and experience was children’s faces. After all how can I decide to become a
children’s book illustrator if my drawing of children’s faces isn’t
stellar? It was a good challenge. I draw one per day for 100 days in charcoal
on toned paper and see how strong I can make my vision of all the nuances of
children’s faces.
Children’s faces aren’t the same as adults at all. The necks are much shorter and almost non-existent
in infants. Their cheeks are fuller and
there should be no hard lines around the nose and mouth simply because drawing
those folds makes the child look old.
Their eyes are larger and placed slightly lower in the face as if they
have more forehead and brain than adults.
I learned that I can’t rush this process. Some of these took only about 15 minutes and
others I struggled with for half an hour or more. The more I wanted to finish fast the worst
the outcome. Naturally. Sounds about right. Isn’t that what happens when you rush
anything worthwhile? I also learned
that a good photo with good shadow shapes is essential to making a good
drawing. Using photos taken in the
shade, under a tree, or with a flash makes for an awful drawing.
By the time I got to 80 faces I so wanted to quit but I just
wouldn’t let myself. I did take a day or
two off here and there but I refuse to quit.
I am now at day 95 and soon will be done with my 100 days of
children. I love children’s faces. I may just spend another 100 days on children
for the fun of it.
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